Music
The music for Metamorphoses was composed by Willy Schwarz, for which he was awarded the 2002 Drama Desk Award for Outstanding Music in a Play. Schwarz also collaborated with Zimmerman in her plays The Odyssey and Journey to the West. In Metamorphoses his music is used to signify a change in scene or to accompany specific moments of a scene, often a moment of poetic speech.
Music in the form of finger cymbals is used in the story of Midas; after he is granted the ability to turn anything he touches to gold, his footsteps are denoted by the sound of the finger cymbals. Also, the character of Apollo sings the aria "Un Aura Amarosa" from Cosà Fan Tutte by Mozart during the story of Phaeton.
Read more about this topic: Metamorphoses (play)
Famous quotes containing the word music:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
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“Poetry
Exceeding music must take the place
Of empty heaven and its hymns....”
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