Role in Metaphor
Michael J. Reddy (1979) discovered and has demonstrated that much of the language we use to talk about language is conceptualized and structured by what he refers to as the conduit metaphor. This paradigm operates through two distinct, related frameworks.
The major framework views language as a sealed pipeline between people:
1. Language transfers people's thoughts and feelings (mental content) to others
2. Speakers and writers insert their mental content into words
ex: You have to put each concept into words more carefully.3. Words are containers
ex: That sentence was filled with emotion.4. Listeners and writers extract mental content from words
ex: Let me know if you find any new sensations in the poem.The minor framework views language as an open pipe spilling mental content into the void:
1. Speakers and writers eject mental content into an external space
2. Mental content is reified (viewed as concrete) in this space
ex: That concept has been floating around for decades.3. Listeners and writers extract mental content from this space
ex: Let me know if you find any good concepts in the essay.Read more about this topic: Metalanguage
Famous quotes containing the words role in, role and/or metaphor:
“Language makes it possible for a child to incorporate his parents verbal prohibitions, to make them part of himself....We dont speak of a conscience yet in the child who is just acquiring language, but we can see very clearly how language plays an indispensable role in the formation of conscience. In fact, the moral achievement of man, the whole complex of factors that go into the organization of conscience is very largely based upon language.”
—Selma H. Fraiberg (20th century)
“The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning further than the author himself can see or perceive.”
—Václav Havel (b. 1936)
“Often in winter the end of the day is like the final metaphor in a poem celebrating death: there is no way out.”
—Agustin Gomez-Arcos (b. 1939)