Merlin The Magician (comics) - Fictional Character Biography

Fictional Character Biography

In 1940, while unhappily contemplating his waning fortunes, playboy Jock Kellog is contacted by a messenger who tells him his eccentric, wealthy uncle is ill and might be dying. Kellog races to the scene in rural England, hoping his financial troubles will be ameliorated by a great inheritance. Instead of the palatial residence he expected, Jock arrives at a modest cottage. Upon entering, he discovers it is filled with numerous antiques of Arthurian vintage. Kellog's uncle is indeed dying, and he tells the young playboy that he is the last of a line of men who can trace their descent directly from Merlin. Before dying, the old man gives Kellog a green, hooded cloak and tells him that, while wearing it, he will inherit all the powers of Merlin himself.

At first, Kellog disbelieves his uncle's story. However, while wearing the cloak, Kellog instinctively uses magic to save a woman falling from a building, and comes to accept his uncle's story as true. He thereafter resolves to use his newfound abilities to aid mankind. Kellog assumes the name of his magical ancestor, Merlin, and goes about roaming Europe, fighting Nazis wherever he encounters them.

In 1945, Merlin the Magician was one of several magic and occult heroes who were contacted by Hourman to help defeat an entity known as "Stalker". Although the heroes were victorious, Merlin was killed in the battle. The disposition of his cloak remains unknown.

Read more about this topic:  Merlin The Magician (comics)

Famous quotes containing the words fictional, character and/or biography:

    One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.
    Edmond De Goncourt (1822–1896)

    But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace without grandeur, and itself not new but derivative; a vase of fair outline, but empty,—which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.
    Ralph Waldo Emerson (1803–1882)

    The best part of a writer’s biography is not the record of his adventures but the story of his style.
    Vladimir Nabokov (1899–1977)