Career
In 1991, Santana landed a recurring role on The Cosby Show as Stanley, the faithful admirer of the young Rudy Huxtable and the romantic rival of Rudy's friend Kenny (Deon Richmond). He was then cast as Marcus Dixon in the short lived sitcom, Getting By, starring Cindy Williams and Telma Hopkins. Deon Richmond was cast as his brother Darren, due to their interaction on The Cosby Show.
In 1995, Santana was cast as Marcus Henry in the short-lived CBS family drama Under One Roof, co-starring with James Earl Jones, Joe Morton and Vanessa Bell Calloway. Between 1996 and 1999, he played the role of Ohagi on Moesha.
In 1996, he landed the role of Romeo Santana on The Steve Harvey Show. In 2001, he played the role of Jermaine in the movie Flossin . In 2002, he appeared in the VH1 TV movie, Play'd: A Hip Hop Story with Toni Braxton. That same year, Santana landed a role in the Eddie Murphy's comedy, Showtime. His last television acting role was on the UPN series, Half & Half, His last film role was a 2003 comedy, The Blues with fellow Cosby Show alum Deon Richmond.
Read more about this topic: Merlin Santana
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)