Music
Meet the Beatles! opens with the December 1963 Capitol single "I Want to Hold Your Hand"/"I Saw Her Standing There", and the B-side "This Boy" from the original November 1963 Parlophone single of "I Want to Hold Your Hand". It contains many of the tracks from the earlier British album With The Beatles and shares the same cover photograph. However, "You Really Got a Hold On Me", "Devil in Her Heart", "Money (That's What I Want)", "Please Mister Postman" and "Roll Over Beethoven" were omitted from Meet The Beatles! and released on the next Capitol album, The Beatles' Second Album. The latter two tracks were also released on the EP Four by The Beatles.
The track "I Want to Hold Your Hand" was originally released as a UK (and US) single A-side and "This Boy" was originally released on the "I Want to Hold Your Hand" B-side in the UK. "I Saw Her Standing There" was from Please Please Me, and the remaining tracks were from With The Beatles. The songs "I Want to Hold Your Hand" and "This Boy" are also in duophonic stereo, due to the lack of a proper stereo mix that was supposed to be given to Capitol. In addition, "I Saw Her Standing There" has a special mono remix done specifically for the American single and album release.
Read more about this topic: Meet The Beatles!
Famous quotes containing the word music:
“Franceska: I was happy in the life I built up for myself. I put a fine high wall of music around me and nothing could touch me. I was safe and secure. And then you had to come along and knock it all down and I hate you for that.
Maxwell: On the contrary, you love me.”
—Muriel Box (b. 1905)
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
“Our beauties are not ours”:
Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)