Music
Meet the Beatles! opens with the December 1963 Capitol single "I Want to Hold Your Hand"/"I Saw Her Standing There", and the B-side "This Boy" from the original November 1963 Parlophone single of "I Want to Hold Your Hand". It contains many of the tracks from the earlier British album With The Beatles and shares the same cover photograph. However, "You Really Got a Hold On Me", "Devil in Her Heart", "Money (That's What I Want)", "Please Mister Postman" and "Roll Over Beethoven" were omitted from Meet The Beatles! and released on the next Capitol album, The Beatles' Second Album. The latter two tracks were also released on the EP Four by The Beatles.
The track "I Want to Hold Your Hand" was originally released as a UK (and US) single A-side and "This Boy" was originally released on the "I Want to Hold Your Hand" B-side in the UK. "I Saw Her Standing There" was from Please Please Me, and the remaining tracks were from With The Beatles. The songs "I Want to Hold Your Hand" and "This Boy" are also in duophonic stereo, due to the lack of a proper stereo mix that was supposed to be given to Capitol. In addition, "I Saw Her Standing There" has a special mono remix done specifically for the American single and album release.
Read more about this topic: Meet The Beatles!
Famous quotes containing the word music:
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“A lot of pop music is about stealing pocket money from children.”
—Ian Anderson (b. 1947)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (1899–1977)