Medieval theatre refers to the theatre of Europe between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. Beginning with Hrosvitha of Gandersheim in the 10th century, Medieval drama was for the most part very religious and moral in its themes, staging and traditions. The most famous examples of medieval plays are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays and the N-Town Plays, as well as the morality play, Everyman.
Due to a lack of surviving records and texts, a low literacy rate of the general population, and the opposition of the clergy to some types of performance, there are few surviving sources on medieval drama of the early and high medieval periods. However, by the late period, drama and theatre began to become more secularized and a larger number of records survive documenting plays and performances.
Read more about Medieval Theatre: Transition From Rome, 500-900 A.D., Early Medieval Period, High and Late Medieval Theatre, Staging, Decline and Change, Contributions To Theatre, Modern Day Productions of Medieval Theatre
Famous quotes containing the words medieval and/or theatre:
“The Christos-image
is most difficult to disentangle
from its art-craft junk-shop
paint-and-plaster medieval jumble
of pain-worship and death-symbol.”
—Hilda Doolittle (18861961)
“A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.”
—Kenneth Tynan (19271980)