Medieval French Literature - Language

Language

Up to roughly 1340, the Romance languages spoken in the Middle Ages in the northern half of what is today France are collectively known as "ancien français" ("Old French") or "langues d'oïl" (languages where one says "oïl" to mean "yes"): following the Germanic invasions of France in the fifth century, these Northern dialects had developed distinctly different phonetic and syntactical structures from the languages spoken in southern France (collectively known as "langues d'oc" or the Occitan language family, of which the largest group is the Provençal language). The Western peninsula of Brittany spoke Breton, a Celtic language. Catalan was spoken in the South, and Germanic languages and Franco-Provençal were spoken in the East.

The various dialects of Old French developed into what are recognised as regional languages today. Languages which developed from dialects of Old French include Bourguignon, Champenois, Franc-Comtois, Francien (theoretical), Gallo, Lorrain, Norman, Anglo-Norman (spoken in England after the Norman Conquest of 1066), Picard, Poitevin, Saintongeais and Walloon.

From 1340 to the beginning of the seventeenth century, a generalized French language became clearly distinguished from the other competing Oïl languages. This is referred to as Middle French ("moyen français").

The vast majority of literary production in Old French is in verse; the development of prose as a literary form was a late phenomenon (in the late Middle Ages, many of the romances and epics were converted into prose versions). The French language does not have a significant stress accent (like English) or long and short syllables (like Latin). This means that the French metric line is not determined by the number of beats, but by the number of syllables. The most common metric lengths are the ten-syllable line (decasyllable), the eight-syllable line (octosyllable) and the twelve-syllable line (the "alexandrine"). Verses could be combined in a variety of ways: blocks (of varying lengths) of assonanced (occasionally rhymed) lines are called "laisses"; another frequent form is the rhymed couplet. The choice of verse form was generally dictated by the genre. The Old French epics ("chansons de geste") are generally written in ten-syllable assonanced "laisses", while the chivalric romance ("roman") was usually written in octosyllabic rhymed couplets.