Television
Television in Venezuela began in 1952 when the dictator Marcos Pérez Jiménez launched the state channel Televisora Nacional, making Venezuela the ninth country in the world to have television. By 1963 a quarter of Venezuelan households had television; a figure rising to 45% by 1969 and 85% by 1982. Telenovelas are popular in Venezuela, and some Venezuelan productions (such as 1992's Cara Sucia) are distributed internationally. Perhaps the best known television show internationally is however President Hugo Chávez' weekly talkshow Aló Presidente, which began in 1999.
The main private television networks are RCTV (launched 1953, losing its terrestrial broadcast licence 2007); Venevisión (1961); Televen (1988); Globovisión (1994). State television includes Venezolana de Televisión (1964 as a private channel, nationalised in 1974), TVes (2007), ViVe (cultural network, 2003) and teleSUR (Caracas-based pan-Latin American channel sponsored by seven Latin American states, 2005). There are also local community-run television stations such as Televisora Comunitaria del Oeste de Caracas (CatiaTVe, 2001) and a range of regional networks such as Zuliana de Televisión. The Venezuelan government also provides funding to Avila TV (2006), Buena TV and Asamblea Nacional TV (ANTV, network of the National Assembly of Venezuela, 2005).
In recent years, the audience share of private terrestrial broadcasters has fallen from around 80% in 2000 to around 60% in 2010, with the bulk of the lost audience going to cable and satellite broadcasters, which increased audience share from around 17% to around 33% over the same period. State television's low share, of around 2%, increased to 5%, although the government also makes regular use of cadenas (mandatory interruptions on all channels to show government broadcasts).
Read more about this topic: Media Of Venezuela
Famous quotes containing the word television:
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)