Architecture and Design
The main hall of the mosque is 75 feet high, 220 feet wide and 180 feet long, enough to accommodate 10,000 worshipers at a time. Fifteen arches support the roof of the main hall, five on each of the three sides. A wall rises on the fourth side to provide Mihrab.
At the peak of the minarets flanking the mosque is an arched gallery, and above that a smallish dome and a spire. Inscriptions from the Qur'an adorn many of the arches and doors. The main structure of the mosque is sandwiched between two massive octagonal columns made out of a single piece of granite. The cornices running around the entire mosque structure and the floral motifs and friezes over the arches remind the tourist of the great attention paid to detail in Qutub Shahi architecture. They have a close resemblance to the arches at Charminar and Golkonda Fort.
On the four sides of the roof on the main mosque, the ramparts are made of granite planks in the shape of inverted conches perched on pedestals. From the cornice of the mosque, its minarets are not as high as the minarets on the mazaar (Nizams tombs) haven from their cornice. The octagonal columns have arched balconies on level with the roof of the mosque with an awning for a canopy, above which the column continues upwards till it is crowned by a dome and spire.
Read more about this topic: Mecca Masjid
Famous quotes containing the words architecture and, architecture and/or design:
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (18981936)
“Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.”
—Ralph Waldo Emerson (18031882)
“Joe ... you remember I said you wouldnt be cheated?... Nobody is really. Eventually all things work out. Theres a design in everything.”
—Sidney Buchman (19021975)