Reception
The film was well received by most critics; some even hailed it as one of the most original American films of all time. Pauline Kael was among the most enthusiastic critics: she called it "a true original, and a triumph of personal filmmaking" and "dizzyingly sensual". Other critics like Dave Kehr of the Chicago Reader said "the acting and editing have such original, tumultuous force that the picture is completely gripping". Vincent Canby of the New York Times reflected that "no matter how bleak the milieu, no matter how heartbreaking the narrative, some films are so thoroughly, beautifully realized they have a kind of tonic effect that has no relation to the subject matter". One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that "In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies." Time Out magazine called it "one of the best American films of the decade". The film holds a 98% "Certified Fresh" rating on Rotten Tomatoes.
American Film Institute recognition
- AFI's 100 Years...100 Movies (10th Anniversary Edition) — Nominated film
Read more about this topic: Mean Streets
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