Background
In 1993, Tupac Shakur was already a success in the hip hop industry, with two gold-certified singles that reached the top twenty on the pop charts ("I Get Around", "Keep Ya Head Up"), and a platinum-selling sophomore album that would peak just inside the top twenty-five of the Billboard 200 (Strictly 4 My N.I.G.G.A.Z.). However, the 22 year old artist had a series of incidents and charges of breaking the law. In the summer of 1993, Shakur was charged for assaulting director Allen Hughes while filming Menace II Society; Shakur was later sentenced to fifteen days in jail. Later, in October 1993, Shakur was charged with shooting two off-duty police officers in Atlanta, though the charges would eventually be dismissed. In November, Shakur and two members of his entourage were charged with sexually assaulting a female fan, for which they were found guilty and sentenced to 4.5 years in jail. According to Shakur, the album was made to show the hip hop audience his respect for the art form. Lyrically, Shakur intentionally tried to make the album more personal and reflective than his previous efforts.
Read more about this topic: Me Against The World
Famous quotes containing the word background:
“They were more than hostile. In the first place, I was a south Georgian and I was looked upon as a fiscal conservative, and the Atlanta newspapers quite erroneously, because they didn’t know anything about me or my background here in Plains, decided that I was also a racial conservative.”
—Jimmy Carter (James Earl Carter, Jr.)
“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
—Lyndon Baines Johnson (1908–1973)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)