Maximum Destruction - History

History

In 1999, Clear Channel (now Feld Entertainment) signed a contract with World Championship Wrestling to create monster trucks based on popular professional wrestlers. In order to ensure the success of the truck of Goldberg, Clear Channel contracted the team of Tom Meents (who was already wildly popular from driving Monster Patrol and Bulldozer) to build and campaign the "Goldberg" truck. Meents debuted in the truck in January 2000 at the Georgia Dome, where he won racing and finished third in freestyle. As the year progressed, and as Dennis Anderson struggled in Grave Digger, Meents became almost unstoppable and capped the year by winning the very first Monster Jam World Finals Racing Championship. The following year saw a continuation of the dominance, and Meents won the world racing and freestyle championship. In late 2001, WCW was bought out by the World Wrestling Federation and the deal with Clear Channel was dropped. For 2002, Meents kept the same truck and body but renamed the truck Team Meents, even retaining much of Goldberg's color scheme and graphics. Once again, Meents swept both the racing and freestyle in the World Finals.

2003 saw the truck change both name and image to become Maximum Destruction, a name which Meents had intended to run the year before until the September 11 attacks delayed those plans out of respect. The truck has remained significantly popular, and is often introduced with equal billing as Grave Digger. There are currently three Maximum Destruction trucks touring. Neil Elliott, Kreg Christensen,tom meents,all cerantlly drive a Maximum Destruction truck. Neil's truck is a similar design to Meents', whereas Kreg's is based on a centre engine design CRD chassis which a lot of monster trucks in monster jam use these days.

Read more about this topic:  Maximum Destruction

Famous quotes containing the word history:

    The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.
    Shoshana Zuboff (b. 1951)

    There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.
    Umberto Eco (b. 1932)

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)