Career
For three years between 1919 and 1922, Schreck appeared at the Munich Kammerspiele, including a role in the expressionist production of Bertolt Brecht's début, Trommeln in der Nacht (Drums in the Night) (in which he played the "freakshow landlord" Glubb). During this time he also worked on his first film Der Richter von Zalamea, adapted from a six act play, for Decla Bioscop.
In 1921, he was hired by Prana Film for their first and only production, Nosferatu. The company declared itself bankrupt after the film was released to avoid paying copyright infringement costs to Dracula author and Bram Stoker's widow, Florence Stoker. Schreck portrayed Count Orlok, a character analogous to Count Dracula.
In 1923, while still in Munich, Schreck appeared in a 16-minute (one-reeler) slapstick, "surreal comedy" written by Bertolt Brecht with cabaret and stage actors Karl Valentin, Liesl Karlstadt, Erwin Faber, and Blandine Ebinger, entitled Mysterien eines Friseursalons (Mysteries of a Barbershop), directed by Erich Engel. Also in 1923, Schreck appeared as a blind man in the film Die Straße (The Street).
Schreck's second collaboration with Nosferatu director F. W. Murnau was the 1924 comedy Die Finanzen des Grossherzogs (The Grand Duke's Finances). Even Murnau did not hesitate to declare his contempt for the picture.
In 1926, Schreck returned to the Kammerspiele in Munich and continued to act in films surviving the advent of sound until his death in 1936 of heart failure. On 19 February 1936, Schreck had just played The Grand Inquisitor in the play Don Carlos, standing in for Will Dohm. That evening he felt unwell and the doctor sent him to the hospital where he died early the next morning of a heart attack. His obituary especially praised his role as The Miser in Molière's comedy play. He was buried on the fourteenth of March, 1936 at Wilmersdorfer Waldfriedhof in Berlin.
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