Max Nordau - Works

Works

  • Pariser Studien und Bilder (Paris studies and sketches, 1878)
  • Seifenblasen (Soap bubbles, 1879)
  • Vom Kreml zur Alhambra (From the Kremlin to the Alhambra, 1880)
  • Paris unter der dritten Republik (Paris under the Third Republic, 1881)
  • Die konventionelle Lügen der Kulturmenschheit, in which he shows what he believes to be the essential falsity of some of the social, ethical and religious standards of modern civilization (Conventional Lies of Society, 1883)
  • Entartung (1892)
  • Paradoxe (Paradoxes, 1885)
  • Die Krankheit des Jahrhunderts (The Malady of the Century, 1887)
  • Seelen Analysen (Analysis of souls, 1892)
  • Die Drohnenschlacht (Battle of the drones, 1897)
  • Gefühlskomödie, a novel (A Comedy of Sentiment, 1891)
  • Der Krieg der Millionen, a drama (The war of the millions, 1882)
  • Das Recht zu lieben, a drama (The right to live, 1893)
  • Die Kugel, a drama (The ball, 1894)
  • Dr. Kuhn, a drama (1898)
  • The Drones Must Die (1899)
  • Zeitgenossiche Franzosen (Contemporary French people, 1901)
  • Morganatic (1904)
  • On Art and Artists (1907)
  • Die Sinn der Geschichte (The sense of history, 1909)
  • Zionistische Schriften (Zionist writings, 1909)
  • Mörchen (Crumbs of ruins, 1910)
  • Der Lebenssport (The sport of life, 1912)

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Famous quotes containing the word works:

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
    —Raymond Williams (1921–1988)

    “You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
    —Francis Picabia (1878–1953)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)