Architecture
While the period marked a second transition to use of brick and stone, wood was still the material of choice. Kautilya in the Arthashastra advises the use of brick and stone for their durability. Yet he devotes a large section to safeguards to be taken against conflagrations in wooden buildings indicating their popularity.
Megasthenes mentions that the capital city of Pataliputra was encircled by a massive timber-palisade, pierced by loopholes through which archers could shoot. It had sixty-four gates and 570 towers. According to Strabo, the gilded pillars of the palace were adorned with golden vines and silver birds. The palace stood in an extensive park studded with fish ponds. It was furnished with a great variety of ornamental trees and shrubs. Excavations carried out by Spooner and Waddell have brought to light remains of huge wooden buildings at Bulandibagh and Kumrahar, both near Patna. The remains of one of the buildings, a 80 pillared hall at Kumrahar are of particular significance. Out of 80 stone columns, that once stood on a wooden platform and supported a wooden roof, Spooner was able to discover the entire lower part of at least one in almost perfect conditions. It is more or less similar to an Ashokan pillar, smooth, polished and made of grey Chunar sandstone.
Many stupas like those at Sanchi, Sarnath and probably Amaravati were originally built as brick and masonry mounds during the reign of Ashoka. Unfortunately they were renovated many times, which leaves us with hardly a clue of the original structures.
Read more about this topic: Mauryan Art
Famous quotes containing the word architecture:
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)
“For it is not metres, but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.”
—Ralph Waldo Emerson (1803–1882)
“The principle of the Gothic architecture is infinity made imaginable.”
—Samuel Taylor Coleridge (1772–1834)