Maurice Elvey - Biography

Biography

Born William Seward Folkard in Stockton-on-Tees, Elvey began his career as an actor at the age of 17. He quickly rose to directing and producing plays and established his own theatrical company before switching to films with The Great Gold Robbery in 1913. He directed a wide array of popular features in a variety of genres, including comedy, drama, literary adaptations – including Robert Louis Stevenson's The Suicide Club (1914) and a version of William Shakespeare's As You Like It entitled Love in a Wood (1916) – and biographical profiles of such luminaries as Florence Nightingale and Lord Nelson. The Life Story of David Lloyd George, suppressed for political reasons just prior to its release in 1918, had its world premiere in Cardiff in May 1996 and was hailed by critics and film historians as one of the best silent films produced in the UK.

In 1921, Elvey directed 16 shorts and one full-length feature film (The Hound of the Baskervilles) with Ellie Norwood as Sherlock Holmes. The actor was Arthur Conan Doyle's favorite among those who portrayed his literary sleuth.

Elvey worked with such performers as Leslie Howard, Gracie Fields, Claude Rains, Alastair Sim, Leslie Banks, and Fay Wray, and mentored future directors Carol Reed and David Lean. In 1944, he was charmed by Petula Clark when he saw her perform at the Royal Albert Hall, and he launched her film career by casting her as a precocious waif in his wartime drama Medal for the General. The two collaborated on three additional films.

Elvey was married three times, to actress Philippa Preston, sculptor Florence Hill Clarke, and actress Isobel Elsom, whom he met on the set of The Wandering Jew in 1923. The couple went on to make eight films together.

The loss of an eye and failing health prompted Elvey's retirement at the age of 70. Ten years later he died in Brighton.

Read more about this topic:  Maurice Elvey

Famous quotes containing the word biography:

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
    Henry David Thoreau (1817–1862)