Works
His early works were an Essay of Obedience to the Supreme Powers (1694); an Essay on the Power of the Magistrate and the Rights of Mankind in Matters of Religion (1697); and The Liberty of the Press (1698). The first of his two larger works, The Rights of the Christian Church associated against the Romish and all other priests who claim an independent power over it, pt. i., appeared anonymously in 1706 (2nd ed., 1706; 3rd, 1707; 4th, 1709). The book was regarded in its day as a forcible defence of the Erastian theory of the supremacy of the state over the Church, and at once provoked criticism and abuse.
After several attempts to proscribe the work had failed, a case against the author, publisher and printer succeeded on 14 December 1707, and another against a bookseller for selling a copy the next day. The prosecution did not prevent the issue of a fourth edition and gave the author the opportunity of issuing A Defence of the Rights of the Christian Church, in two parts (2nd ed., 1709). The book was, by order of the House of Commons, burned, along with Sacheverell's sermon, by the common hangman (1710). It continued to be the subject of denunciation for years, and Tindal believed he was charged by Dr Gibson, bishop of London, in a Pastoral Letter, with having undermined religion and promoted atheism and infidelity — a charge to which he replied in the anonymous tract, An Address to the Inhabitants of London and Westminster, a second and larger edition of which appeared in 1730. In this tract he makes a valiant defence of the deists, and anticipates here and there his Christianity as Old as the Creation.
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Famous quotes containing the word works:
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
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“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
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