Production Style
Pizzolo's artistic and entrepreneurial works are reflective of his DIY ethos and belief that a subversive artist can only maintain creative control of a project if he or she also controls the business aspects including production, distribution, and marketing.
A lifelong straightedger, Pizzolo brings a unique hardcore punk approach to his projects, both in terms of content and execution. He has referred to himself as "more agitator than artist" and appears more interested in provoking his audiences than entertaining them. Threat, for example, has attracted controversy for allegedly glorifying violence and class conflict. When Threat opened at Montreal's Cinema du Parc, the Montreal Film Journal stated:
"Films like La Haine, Menace II Society or Fight Club also portray people raging against the machine, but they ultimately show that violence doesn't solve anything. Whereas Matt Pizzolo's flick openly glorifies murderous revolt, literally telling the audience to go out and beat up random people, just because."When questioned by the website Suicide Girls on the subject of violent class conflict in the film, Pizzolo gave insight into his intentions:
Yeah, I came at it from an angle that class is really the ultimate divider in our culture, beyond even race or gender. And the thing these kids in the movie all share is that they're at the bottom rung of the class system and they're pissed about it. But it's not just about being poor, it's really just about being average in a world where decisions are made by a super wealthy minority. You may be white or black, male or female, but if you're not super wealthy or from the right family then you don't have any say.... You go to war when they tell you to go to war. And the violence in Threat is about how we in the trenches are so angry, but we take it out on each other instead of taking drastic measures to make change.Read more about this topic: Matt Pizzolo
Famous quotes containing the words production and/or style:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germansforgive me the fact that even Goethes prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the good old time to which it belongs, and a reflection of German taste at a time when there still was a German tasteMa rococo taste in moribus et artibus.”
—Friedrich Nietzsche (18441900)