In Wrestling
- Finishing moves
- Saikyou High Kick (Left high roundhouse kick)
- Sankakugeri to the Face (Corner middle rope springboard gamengiri)
- Shin Saikyou High Kick (Right high roundhouse kick)
- Twister (Twisting brainbuster, sometimes inverted)
- Twister II (Twisting sitout suplex slam)
- Signature moves
- Axe kick
- Back heel kick
- Bridging dragon suplex
- Corner big boot
- Ikkakugeri (Running knee strike to an opponent trapped horizontally between the turnbuckles)
- Illusion (Feint roundhouse kick followed by a reverse roundhouse kick)
- Roundhouse kick to the head of a kneeling or seated opponent
- Running single leg dropkick
- Sankakugeri (Corner middle rope springboard enzuigiri)
- Topé Masaaki (Over the top rope suicide dive)
- Twisting Ikkakugeri (Running back heel kick to an opponent trapped horizontally between the turnbuckles)
- Wagamamana Hizakozou (Repeated shoot kicks to the opponent's chest)
- Nicknames
- "Mochi"
- "Kon no Kegeou"
- Theme music
- "Kizudarake no Eikou" performed by Masaaki Mochizuki (Available on Dragon Gate's OPEN THE MUSIC GATE album)
- "Idrake no Eikou" by Takeshi Obou (Used only for high-profile matches)
- "FINAL STAGE" by Dragon Gate productions (Used while a part of Final M2K)
- "The Worst One" by Dragon Gate (Used while a part of Aagan Iisou)
Read more about this topic: Masaaki Mochizuki
Famous quotes containing the word wrestling:
“We laugh at him who steps out of his room at the very moment when the sun steps out, and says: “I will the sun to rise”; and at him who cannot stop the wheel, and says: “I will it to roll”; and at him who is taken down in a wrestling match, and says: “I lie here, but I will that I lie here!” And yet, all laughter aside, do we ever do anything other than one of these three things when we use the expression, “I will”?”
—Friedrich Nietzsche (1844–1900)
“There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.”
—Roland Barthes (1915–1980)