Published Works
- Fancy's Following. Oxford: Daniel, 1896 (poems)
- The King with Two Faces. London: Edward Arnold, 1897
- The Seven Sleepers of Ephesus. London: Chatto & Windus, 1898
- Non Sequitur. London: J. Nisbet, 1900 (essays)
- The Fiery Dawn. London: Edward Arnold, 1901
- The Shadow on the Wall: a romance. London: Edward Arnold, 1904
- The Lady on the Drawingroom Floor. London: Edward Arnold, 1906kiren
- Holman Hunt. London: T. C. & E. C. Jack; New York: F. A. Stokes Co., (three numbers of Masterpieces in Colour issued together: Millais / by A. L. Baldry – Holman Hunt / by M. E. Coleridge – Rossetti / by L. Pissarro.)
- Poems by Mary E. Coleridge. London: Elkin Mathews, 1908
- Songs not listed
the deserted house
Read more about this topic: Mary Elizabeth Coleridge
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“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Man cannot bury his meanings so deep in his book, but time and like-minded men will find them. Plato had a secret doctrine, had he? What secret can he conceal from the eyes of Bacon? of Montaigne? of Kant? Therefore, Aristotle said of his works, “They are published and not published.””
—Ralph Waldo Emerson (1803–1882)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)