Mary Ann Meets the Gravediggers and Other Short Stories is a compilation album by Regina Spektor, released in 2006 for the UK market, where it reached #185 on the UK Albums Chart. It features songs from her three previous albums, 11:11, Songs, and Soviet Kitsch. The CD comes packaged with a bonus DVD (Region 2) featuring the short promo film "Survival Guide to Soviet Kitsch" and the music video for the song "Us". (These are the same materials found on the DVD that accompanied some US and Australian editions of Soviet Kitsch.)
The title comes from two of the songs chosen for the compilation, one which mentions a character named "Mary Ann", and the other the word "gravediggers."
The cover art was drawn by Julie Morstad and is done in the style of Edward Gorey. Morstad has also done artwork for Neko Case.
Read more about Mary Ann Meets The Gravediggers And Other Short Stories: Track Listing
Famous quotes containing the words mary ann, ann, meets, short and/or stories:
“The sense of an entailed disadvantagethe deformed foot doubtfully hidden by the shoe, makes a restlessly active spiritual yeast, and easily turns a self-centred, unloving nature into an Ishmaelite. But in the rarer sort, who presently see their own frustrated claim as one among a myriad, the inexorable sorrow takes the form of fellowship and makes the imagination tender.”
—George Eliot [Mary Ann (or Marian)
“The egoism which enters into our theories does not affect their sincerity; rather, the more our egoism is satisfied, the more robust is our belief.”
—George Eliot [Mary Ann (or Marian)
“In its artless cruelty, Dallas is superior to any intelligent critique that can be made of it. That is why intellectual snobbery meets its match here.”
—Jean Baudrillard (b. 1929)
“[On being asked what sort of future she anticipates having:] A very short one.”
—Jeanne Calment (b. c. 1875)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)