Mary Ann Meets the Gravediggers and Other Short Stories is a compilation album by Regina Spektor, released in 2006 for the UK market, where it reached #185 on the UK Albums Chart. It features songs from her three previous albums, 11:11, Songs, and Soviet Kitsch. The CD comes packaged with a bonus DVD (Region 2) featuring the short promo film "Survival Guide to Soviet Kitsch" and the music video for the song "Us". (These are the same materials found on the DVD that accompanied some US and Australian editions of Soviet Kitsch.)
The title comes from two of the songs chosen for the compilation, one which mentions a character named "Mary Ann", and the other the word "gravediggers."
The cover art was drawn by Julie Morstad and is done in the style of Edward Gorey. Morstad has also done artwork for Neko Case.
Read more about Mary Ann Meets The Gravediggers And Other Short Stories: Track Listing
Famous quotes containing the words mary ann, mary, ann, meets, short and/or stories:
“... there is a lightness about the feminine mind—a touch and go—music, the fine arts, that kind of thing—they should study those up to a certain point, women should; but in a light way, you know.”
—George Eliot [Mary Ann (or Marian)
“And the song she was singing ever since
In my ear sounds on:—
“Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone!””
—John Greenleaf Whittier (1807–1892)
“Harold, like the rest of us, had many impressions which saved him the trouble of distinct ideas.”
—George Eliot [Mary Ann (or Marian)
“Thou hast made me, and shall thy work decay?
Repair me now, for now mine end doth haste;
I run to death, and death meets me as fast,
And all my pleasures are like yesterday.”
—John Donne (1572–1631)
“The short lesson that comes out of long experience in political agitation is something like this: all the motive power in all of these movements is the instinct of religious feeling. All the obstruction comes from attempting to rely on anything else. Conciliation is the enemy.”
—John Jay Chapman (1862–1933)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)