Works
His published works include over 100 songs (some of them for children), settings for soli, chorus and orchestra of Laurence Binyon's Sursum Corda, Eleanor Farjeon's The Ithacans, John Masefield's The Seaport and her Sailors; a ballad opera by Clifford Bax, Mr Pepys, and Water Folk, written for the Worcester Music Festival held in September 1932. He composed the music for T.S. Eliot's pageant play, The Rock, (performed at the Sadler's Wells Theatre in May 1934), making him the only composer Eliot ever allowed to set his words to music. He later became the first editor of National Anthems of the World, published after his death.
His oratorio The Redeemer, for SATB soloists, chorus and full orchestra, was first broadcast by the BBC in March 1945. His cantata God's Grandeur, to words by Gerard Manley Hopkins, was composed for the first Aldeburgh Festival, receiving its first performance in the same concert as the premier of Britten's St Nicolas.
Working with Percy Dearmer, Martin was music editor of The English Carol Book (1913, 1919) and, with Ralph Vaughan Williams, of Songs of Praise (1925, 1931) and The Oxford Book of Carols (1928). His tune Little Cornard is sung to Hills of the North Rejoice, and Marching is sung to Through the Night of Doubt and Sorrow. While doing research for the English Hymnal (1906) in the British Library, he came upon the traditional Gaelic hymn-tune Bunessan in L. McBean's Songs and Hymns of the Gael, published in 1900. However, the tune was not included in the English Hymnal. It was used instead in the second edition of Songs of Praise (1931), set to the poem Morning Has Broken, which Martin Shaw commissioned specially from his old friend Eleanor Farjeon. This tune and words became a No. 1 hit for Cat Stevens in 1972. Martin Shaw also noted down the Czech carol Rocking and included it in The Oxford Book of Carols.
Read more about this topic: Martin Shaw (composer)
Famous quotes containing the word works:
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (1821–1910)