Works
His published works include over 100 songs (some of them for children), settings for soli, chorus and orchestra of Laurence Binyon's Sursum Corda, Eleanor Farjeon's The Ithacans, John Masefield's The Seaport and her Sailors; a ballad opera by Clifford Bax, Mr Pepys, and Water Folk, written for the Worcester Music Festival held in September 1932. He composed the music for T.S. Eliot's pageant play, The Rock, (performed at the Sadler's Wells Theatre in May 1934), making him the only composer Eliot ever allowed to set his words to music. He later became the first editor of National Anthems of the World, published after his death.
His oratorio The Redeemer, for SATB soloists, chorus and full orchestra, was first broadcast by the BBC in March 1945. His cantata God's Grandeur, to words by Gerard Manley Hopkins, was composed for the first Aldeburgh Festival, receiving its first performance in the same concert as the premier of Britten's St Nicolas.
Working with Percy Dearmer, Martin was music editor of The English Carol Book (1913, 1919) and, with Ralph Vaughan Williams, of Songs of Praise (1925, 1931) and The Oxford Book of Carols (1928). His tune Little Cornard is sung to Hills of the North Rejoice, and Marching is sung to Through the Night of Doubt and Sorrow. While doing research for the English Hymnal (1906) in the British Library, he came upon the traditional Gaelic hymn-tune Bunessan in L. McBean's Songs and Hymns of the Gael, published in 1900. However, the tune was not included in the English Hymnal. It was used instead in the second edition of Songs of Praise (1931), set to the poem Morning Has Broken, which Martin Shaw commissioned specially from his old friend Eleanor Farjeon. This tune and words became a No. 1 hit for Cat Stevens in 1972. Martin Shaw also noted down the Czech carol Rocking and included it in The Oxford Book of Carols.
Read more about this topic: Martin Shaw (composer)
Famous quotes containing the word works:
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (1910–1986)
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)