Martin Shaw - Theatre Appearances

Theatre Appearances

  • Look Back in Anger (Royal Court transferring to the Criterion Theatre, 1968) as "Cliff Lewis".
  • The Contractor (Royal Court, 1969; transferring to the Fortune Theatre, 1970) as "Paul".
  • The Battle of Shrivings (Lyric Theatre, 1970) as "David".
  • Cancer (in the United States, Moon Children; Royal Court, 1970) as "Bob".
  • The Bacchae (National Theatre at the Old Vic, 1973) as "Dionysus".
  • Saturday, Sunday, Monday (National Theatre at the Old Vic, 1973) as "Attilio" opposite Laurence Olivier.
  • A Streetcar Named Desire (Piccadilly Theatre, 1974) as "Stanley Kowalski".
  • Miss Julie (Greenwich Theatre, 1975) as "Jean".
  • Teeth 'n' Smiles (Wyndham's Theatre, 1976) as "Arthur".
  • They're Playing Our Song (Shaftesbury Theatre, 1981) as "Vernon Gersch".
  • The Country Girl (Apollo Theatre, 1983).
  • Are You Lonesome Tonight? (Phoenix Theatre, 1985) as 'The Older Elvis Presley' (also Sydney, New South Wales, Australia)
  • The Big Knife (Albery Theatre, 1987) as Charles Castle
  • Other People's Money (Lyric Theatre, 1990) as "Garfinkel".
  • Betrayal (Almeida Theatre, 1991) as "Robert".
  • Sienna Red, by Stephen Poliakoff and co-starring Francesca Annis (Richmond Theatre, May 1992).
  • An Ideal Husband (Globe Theatre, 1992) as "Lord Goring".
  • Rough Justice by Terence Frisby (Apollo Theatre, 1994) as "James Highwood".
  • An Ideal Husband (Haymarket Theatre transferring to the Old Vic, 1996; revived at the Haymarket in 1997 then transferred to the Gielgud Theatre).
  • Vertigo (Theatre Royal Windsor, October 1998) as "Roger Flaviares" alongside his subsequent co-star Jenny Seagrove in Judge John Deed.
  • A Man For All Seasons (Haymarket, 2005/6) as Sir Thomas More.
  • The Country Girl (Apollo Theatre, October 2010) co-starring Jenny Seagrove, following a tour.

Read more about this topic:  Martin Shaw

Famous quotes containing the words theatre and/or appearances:

    ... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.
    Helen Hayes (1900–1993)

    What I often forget about students, especially undergraduates, is that surface appearances are misleading. Most of them are at base as conventional as Presbyterian deacons.
    Muriel Beadle (b. 1915)