Approach
Through the heavy use of curious, exotic and humorous visual metaphors, Martian Poetry aimed to break the grip of 'the familiar', by describing ordinary things in unfamiliar ways, as though, for example, through the eyes of a Martian. For instance, books and their effects upon readers are described by Raine as...
- mechanical birds with many wings
- perch on the hand
- cause the eyes to melt
- or the body to shriek without pain
This drive to make the familiar strange was carried into fiction by Martin Amis. His 1981 novel Other People: A Mystery Story where the story unfolds from the point of view of a protagonist who is apparently suffering from amnesia.
Martian poetry became a popular topic in the teaching of poetry composition to school children.
Related to Surrealism, it arose in the context of the experimental poetry of the late 1960s; but also owes a debt to a variety of English traditions including metaphysical poetry, Anglo-Saxon riddles, and nonsense poetry (e.g.: Lewis Carroll, Edward Lear). Dr Samuel Johnson's descriptions of the metaphysical poets' approach where 'the most heterogeneous ideas are yoked by violence together' could aptly describe much Martian poetry; in this context what was distinctive about Martian Poetry was its focus on visual experience.
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Famous quotes containing the word approach:
“This is an approach to that universal language which men have sought in vain.”
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“There is no calm philosophy of life here, such as you might put at the end of the Almanac, to hang over the farmer’s hearth,—how men shall live in these winter, in these summer days. No philosophy, properly speaking, of love, or friendship, or religion, or politics, or education, or nature, or spirit; perhaps a nearer approach to a philosophy of kingship, and of the place of the literary man, than of anything else.”
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“Fishermen, hunters, woodchoppers, and others, spending their lives in the fields and woods, in a peculiar sense a part of Nature themselves, are often in a more favorable mood for observing her, in the intervals of their pursuits, than philosophers or poets even, who approach her with expectation. She is not afraid to exhibit herself to them.”
—Henry David Thoreau (1817–1862)