Martian Canal - Fiction

Fiction

Although the concept of the canals had been available since Schiaparelli's 1877 description of them, early fictional descriptions of Mars omitted these features. They receive no mention, for instance, in H. G. Wells' The War of the Worlds (1897), which describes a slowly drying Mars, covetous of Earth's resources, but one which still has dwindling oceans such as are depicted on Schiaparelli's maps. Later works of fiction, influenced by the works of Lowell, described an ever-more arid Mars, and the canals became a more prominent feature, though how they were explained varied widely from author to author.

• Garrett P. Serviss' Edison's Conquest of Mars (1898) repeatedly mentions Schiaparellian canals (which play a key part in the denouement of the story), but does not describe them in detail, apparently considering them simply irrigation canals comparable to those on Earth — ignoring the fact that, in that case, they could hardly be visible from Earth. Serviss' Mars also has lakes and oceans.
• George Griffith's A Honeymoon in Space (1900) describes the canals as the remnants of gulfs and straits "widened and deepened and lengthened by... Martian labour".
• Edgar Rice Burroughs' influential A Princess of Mars (1912) describes an almost entirely desert Mars, with only one small body of liquid water on the surface (though swamps and forests appear in the sequels). The canals, or waterways as Burroughs calls them, are still irrigation works, but these are surrounded by wide cultivated tracts of farmland which make their visibility somewhat credible.
• Alexander Bogdanov's Engineer Menni (1913) details the social, scientific, and political history of the construction of the Martian canals and the socio-economic ramifications the construction had on Martian society.
• Otis Adelbert Kline's Outlaws of Mars (1933) has multiple parallel canals, surrounded by walls and terraces, and describes the construction of the canals by Martian machines.
• In C. S. Lewis' Out of the Silent Planet (1938), the "canals" (handramit in Martian) are actually vast rifts in the surface of an almost airless, desert Mars, in which the only breathable atmosphere and water have collected where life is possible, with the rest of Mars being entirely dead.
• In Robert A. Heinlein's Red Planet (1949), colonists use the frozen canals for travel and a seasonal migration (by iceboat during winter when the canals are frozen and by boat when the ice melts during the Martian summer). Teenagers Jim Marlowe and Frank Sutton set out to skate the thousands of miles to their homes on the frozen Martian canals when escaping the Lowell Academy boarding school.
• In Ray Bradbury's The Martian Chronicles (1950), the canals are artificial waterways stretching between stone banks, filled with blue water, or sometimes poetically described as full of "green liquors" or "lavender wine". Bradbury revisited the martian canals in 1967 in his short story "The Lost City of Mars".
• In the BBC radio production Journey into Space: The Red Planet (1954–1955), the canals are valleys filled with a plant life resembling giant rhubarbs.
• In Robinson Crusoe on Mars (1964) Kit Draper and Friday flee from the enemy aliens through the underground canals on their way to the polar ice cap.
• The Mars of the steampunk role-playing game Space: 1889 (1988) is crisscrossed by artificial canals which support cities inhabited by the ancient civilization of the Canal Martians.
• The 1991 computer game Ultima: Martian Dreams features a plot based around Victorian expeditions to Mars. The Martian canals play a very prominent role as the main characters have to find a way to refill them using ice from the polar caps.
• Kim Stanley Robinson's science fiction chronicling of the terraforming of Mars in the Mars trilogy (1993-1999) and 2312 (2012) features the creation of canals on Mars ("burned" into the land with magnified sunlight) with the Lowell maps as inspiration. "Thus a nineteenth-century fantasy forms the basis for the actual landscape."