Use in Novels
Post-1980 deconstructionist criticism has highlighted how the plot was a profitable publishing and ideological production that served to ensure the ascendancy of the bourgeoisie. The marriage plot was the liberal age's reformulation of the medieval romance, which excluded all but aristocratic ladies and their chivalrous knights from its epics of love. The marriage plot promises to liberate romance by making it available to greater sections of society: the bourgeoisie and to some extent, the working classes, who are relegated to comic relief in 16th- and 17th-century theater, suddenly become serious moral subjects. Today, few doubt the ennobling qualities of love, but giving that nobility of soul to anyone but nobles was an innovation to be found foundationally in the marriage plot, perhaps pioneered by Richardson's Pamela, wherein a lowly but virtuous maid is raised beyond her birth through her insistent chastity and her subsequent marriage to the lordly Mr. B.
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Famous quotes containing the word novels:
“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.”
—Doris Lessing (b. 1919)