Work
The Marree Man geoglyph depicts a man holding either a throwing stick once used to disperse small flocks of birds, or a boomerang (but see Plaque section below).
The lines of the figure were 20–30 cm deep at the time of discovery and up to 35 metres wide.
Selecting a suitable site would have required aerial photography or satellite imagery. Using a computer, the figure could have been superimposed over the photograph and adjusted to fit the geography with the corresponding latitude and longitude coordinates mapped out. Some surveying skills would have been needed to plot the outline, and then with the aid of a hand-held global positioning system stakes could have been placed every hundred metres or so.
The image is gradually eroding through natural processes, but because the climate is extremely dry and barren in the region, the image is still visible as of 2012. While there is a layer of white chalk material slightly below the red soil, the figure was not defined to this depth. This raises the question why the creators did not dig a little deeper to make the image both more visible and more permanent.
Read more about this topic: Marree Man
Famous quotes containing the word work:
“We might remind ourselves that criticism is as inevitable as breathing, and that we should be none the worse for articulating what passes in our minds when we read a book and feel an emotion about it, for criticizing our own minds in their work of criticism.”
—T.S. (Thomas Stearns)
“... possibly there is no needful occupation which is wholly unbeautiful. The beauty of work depends upon the way we meet it—whether we arm ourselves each morning to attack it as an enemy that must be vanquished before night comes, or whether we open our eyes with the sunrise to welcome it as an approaching friend who will keep us delightful company all day, and who will make us feel, at evening, that the day was well worth its fatigues.”
—Lucy Larcom (1824–1893)
“I can’t work without a model. I won’t say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.”
—Vincent Van Gogh (1853–1890)