Work
The Marree Man geoglyph depicts a man holding either a throwing stick once used to disperse small flocks of birds, or a boomerang (but see Plaque section below).
The lines of the figure were 20–30 cm deep at the time of discovery and up to 35 metres wide.
Selecting a suitable site would have required aerial photography or satellite imagery. Using a computer, the figure could have been superimposed over the photograph and adjusted to fit the geography with the corresponding latitude and longitude coordinates mapped out. Some surveying skills would have been needed to plot the outline, and then with the aid of a hand-held global positioning system stakes could have been placed every hundred metres or so.
The image is gradually eroding through natural processes, but because the climate is extremely dry and barren in the region, the image is still visible as of 2012. While there is a layer of white chalk material slightly below the red soil, the figure was not defined to this depth. This raises the question why the creators did not dig a little deeper to make the image both more visible and more permanent.
Read more about this topic: Marree Man
Famous quotes containing the word work:
“With malice toward none, with charity for all, with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation’s wounds, to care for him who shall have borne the battle, and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves, and with all nations.”
—Abraham Lincoln (1809–1865)
“The truth of the thoughts that are here set forth seems to me unassailable and definitive. I therefore believe myself to have found, on all essential points, the final solution of the problems. And if I am not mistaken in this belief, then the second thing in which the value of this work consists is that it shows how little is achieved when these problems are solved.”
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“... there is no way of measuring the damage to a society when a whole texture of humanity is kept from realizing its own power, when the woman architect who might have reinvented our cities sits barely literate in a semilegal sweatshop on the Texas- Mexican border, when women who should be founding colleges must work their entire lives as domestics ...”
—Adrienne Rich (b. 1929)