Work
The Marree Man geoglyph depicts a man holding either a throwing stick once used to disperse small flocks of birds, or a boomerang (but see Plaque section below).
The lines of the figure were 20–30 cm deep at the time of discovery and up to 35 metres wide.
Selecting a suitable site would have required aerial photography or satellite imagery. Using a computer, the figure could have been superimposed over the photograph and adjusted to fit the geography with the corresponding latitude and longitude coordinates mapped out. Some surveying skills would have been needed to plot the outline, and then with the aid of a hand-held global positioning system stakes could have been placed every hundred metres or so.
The image is gradually eroding through natural processes, but because the climate is extremely dry and barren in the region, the image is still visible as of 2012. While there is a layer of white chalk material slightly below the red soil, the figure was not defined to this depth. This raises the question why the creators did not dig a little deeper to make the image both more visible and more permanent.
Read more about this topic: Marree Man
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“I see no reason for calling my work poetry except that there is no other category in which to put it.”
—Marianne Moore (1887–1972)
“Women are in bondage; their clothes are a great hindrance to their engaging in any business which will make them pecuniarily independent, and since the soul of womanhood never can be queenly and noble so long as it must beg bread for its body, is it not better, even at the expense of a vast deal of annoyance, that they whose lives deserve respect and are greater than their garments should give an example by which woman may more easily work out her own emancipation?”
—Lucy Stone (1818–1893)
“On a huge hill,
Cragged, and steep, Truth stands, and he that will
Reach her, about must, and about must go;
And what the hill’s suddenness resists, win so;
Yet strive so, that before age, death’s twilight,
Thy Soul rest, for none can work in that night.
To will, implies delay, therefore now do:
Hard deeds, the body’s pains; hard knowledge too
The mind’s endeavours reach, and mysteries
Are like the Sun, dazzling, yet plain to all eyes.”
—John Donne (1572–1631)