Work
The Marree Man geoglyph depicts a man holding either a throwing stick once used to disperse small flocks of birds, or a boomerang (but see Plaque section below).
The lines of the figure were 20–30 cm deep at the time of discovery and up to 35 metres wide.
Selecting a suitable site would have required aerial photography or satellite imagery. Using a computer, the figure could have been superimposed over the photograph and adjusted to fit the geography with the corresponding latitude and longitude coordinates mapped out. Some surveying skills would have been needed to plot the outline, and then with the aid of a hand-held global positioning system stakes could have been placed every hundred metres or so.
The image is gradually eroding through natural processes, but because the climate is extremely dry and barren in the region, the image is still visible as of 2012. While there is a layer of white chalk material slightly below the red soil, the figure was not defined to this depth. This raises the question why the creators did not dig a little deeper to make the image both more visible and more permanent.
Read more about this topic: Marree Man
Famous quotes containing the word work:
“Weary with toil, I haste me to my bed,
The dear repose for limbs with travel tired;
But then begins a journey in my head
To work my mind, when body’s work’s expired:”
—William Shakespeare (1564–1616)
“I do not want to be covetous, but I think I speak the minds of many a wife and mother when I say I would willingly work as hard as possible all day and all night, if I might be sure of a small profit, but have worked hard for twenty-five years and have never known what it was to receive a financial compensation and to have what was really my own.”
—Emma Watrous, U.S. inventor. As quoted in Feminine Ingenuity, ch. 8, by Anne L. MacDonald (1992)
“The Battle of Waterloo is a work of art with tension and drama with its unceasing change from hope to fear and back again, change which suddenly dissolves into a moment of extreme catastrophe, a model tragedy because the fate of Europe was determined within this individual fate.”
—Stefan Zweig (18811942)