Description
The Marmorpalais was reserved for the private use of the king, who had an artistic temperament. With this new construction the nephew and successor of Frederick the Great dissociated himself from his childless uncle, whom he disliked and who favored earlier Baroque and Rococo forms.
The red brick Marmorpalais was originally a two-story square building. A fine view of the surrounding gardens and lakes is possible from a round pavilion on the flat roof of the cubical structure. Among other buildings, the little castle on the Pfaueninsel in the Havel River was constructed as an eye-catcher. A stairway and gallery accessed from the roof lead into the belvedere. Sculptured putti carrying a basket of fruit decorate the tip of the pavilion. The palace got its name from the grey and white Silesian marble used for the decorative elements and partitioning structures.
Boat moorings could be approached by members of the court via a large terrace on the lake side of the palace, from which a stairway led down to the water. The king enjoyed extensive boat rides; even Charlottenburg Palace on the Spree River in Berlin could be reached by boat from here.
On the nearby lake shore is to be found the palace kitchen, which was built 1788-1790 by Langhans in the romantic style of a half-sunken classical temple ruin. An underground corridor provides a connection with an artificial grotto on the ground floor of the palace which served as a dining room in summertime.
After only a few years of use the palace was considered to be too small, and in 1797 construction started on two side wings designed by Michael Philipp Boumann. The architect connected these single-story, rectangular extensions to the right and left of the main entrance on the garden side of the palace with galleries in the form of quarter circles. The marble required to decorate these extensions was obtained by removing Frederich II’s colonnades from Park Sanssouci and incorporating the pillars in the new building. This imposing garden architecture designed by Georg Wenzeslaus von Knobelsdorff had originally stood on the main boulevard connecting Sanssouci Palace and the New Palace.
When the king died in November 1797, just the shell of the extensions had been completed. His son and successor, Friedrich Wilhelm III, being uninterested in the project, only finished off the exterior.
This was still the situation in the 1830s when Prince Wilhelm, later Kaiser Wilhelm I, and his spouse Augusta moved into the Marmorpalais while they awaited the completion of their new residence at Babelsberg Palace (1833-1835-1849). His brother, King Frederick William IV of Prussia, known as “a royal nostalgic romanticist”, commissioned the architect Ludwig Ferdinand Hesse to complete the unfinished interior structure and fittings for the two side extensions between 1843 and 1848. Frescos with scenes from the Niebelung saga were added to the outside to decorate the colonnade walls.
The building's technical and sanitary facilities were updated when Prince Wilhelm, later Kaiser Wilhelm II, and his family lived in the Marmorpalais from 1881 until he acceded to the throne in 1888.
The last royal inhabitants of the Marmorpalais were William, German Crown Prince, eldest son of Kaiser Wilhelm II, and his spouse Cecilie, who lived there between 1904 and 1917, when they moved to nearby Cecilienhof Palace, built for them in the Neuer Garten.
When World War I and along with it the German monarchy came to an end, the Marmorpalais was placed under the control of the Prussian palaces administration in 1926 as a result of a settlement between the Prussian state and the Hohenzollern family regarding property claims. It opened as a palace museum in 1932.
The restored interior furnishings from the 18th and 19th centuries in the main building and south wing and the original plans for the Neuer Garten and the views of Potsdam displayed in the north wing were seriously damaged when the north wing was hit by an incendiary bomb and the main building by a grenade at the end of World War II. Further damage occurred when the Red Army maintained an officers’ mess in the palace after 1946.
In 1961 the East German GDR Army Museum was established in the building. Inside, historic military equipment, uniforms and historic documents were on display and on the outside, canon, a T-34 tank, a high-speed patrol boat, a MiG fighter airplane and a rocket. The weapons were removed in 1989.
Starting in 1984, the National People’s Army made plans for a fundamental restoration as the building continued to fall into disrepair. These plans came to fruition in 1988 and the work continued in late autumn 1990 after the return of the property to the palaces administration. Since April 14, 2006 all 40 rooms have been renovated and opened to the public. Repair of the exterior surface was completed in autumn 2009 after several years of restoration work.
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