Performance and Rankings Timeline
| Tournament | 2006/ 07 |
2007/ 08 |
2008/ 09 |
2009/ 10 |
2010/ 11 |
2011/ 12 |
2012/ 13 |
|---|---|---|---|---|---|---|---|
| Ranking | UR | 73 | 59 | 57 | 58 | 42 | 59 |
| Ranking tournaments | |||||||
| Wuxi Classic | Not Held | Non-Ranking | LQ | ||||
| Australian Goldfields Open | Not Held | LQ | LQ | ||||
| Shanghai Masters | NR | LQ | LQ | LQ | LQ | LQ | LQ |
| International Championship | Not Held | LQ | |||||
| UK Championship | LQ | LQ | LQ | LQ | QF | LQ | |
| German Masters | Not Held | LQ | LQ | ||||
| Welsh Open | LQ | LQ | LQ | LQ | LQ | 1R | |
| World Open | LQ | RR | LQ | 1R | LQ | LQ | |
| Players Tour Championship Finals | Not Held | DNQ | DNQ | ||||
| China Open | LQ | LQ | LQ | LQ | LQ | LQ | |
| World Championship | LQ | LQ | LQ | LQ | LQ | LQ | |
| Other format tournaments | |||||||
| Shoot-Out | Not Held | A | 1R | ||||
| Former ranking tournaments | |||||||
| Malta Cup | LQ | NR | Not held | ||||
| Northern Ireland Trophy | A | A | LQ | Not held | |||
| Bahrain Championship | Not held | LQ | Not held | ||||
| Former non-ranking tournaments | |||||||
| Masters Qualifying Event | 2R | 1R | SF | 1R | Not held | ||
| Performance Table Legend | |||||
|---|---|---|---|---|---|
| LQ | lost in the qualifying draw | #R | lost in the early rounds of the tournament (WR = Wildcard round, RR = Round robin) |
QF | lost in the quarter-finals |
| SF | lost in the semi–finals | F | lost in the final | W | won the tournament |
| DNQ | did not qualify for the tournament | A | did not participate in the tournament | 1R | withdrew from the tournament |
| NH / Not held | means an event was not held. | |||
| NR / Non-ranking event | means an event is/was no longer a ranking event. | |||
| R / Ranking event | means an event is/was now a ranking event | |||
Read more about this topic: Mark Joyce
Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
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