Marjorie Rambeau - Career

Career

In her youth she was a Broadway leading lady. In 1921, Dorothy Parker memorialized her in verse:

If all the tears you shed so lavishly / Were gathered, as they left each brimming eye. / And were collected in a crystal sea, / The envious ocean would curl up and dry— / So awful in its mightiness, that lake, / So fathomless, that clear and salty deep. / For, oh, it seems your gentle heart must break, / To see you weep. ...

Her silent films with the Mutual company included Mary Moreland and The Greater Woman (1917). The films were not major successes but did expose Rambeau to film audiences. By the time talkies came along she was in her early forties and she began to take on character roles in films such as Min and Bill, The Secret Six, Laughing Sinners, Grand Canary, Joe Palooka, and Primrose Path, for which she was nominated for the Academy Award for Best Supporting Actress.

In 1940, Rambeau had the title role in Tugboat Annie Sails Again as well as second billing under Wallace Beery (the co-star of the original Tugboat Annie) in 20 Mule Team. Other films included Tobacco Road, A Man Called Peter, and Broadway. In 1953, she was again nominated for an Oscar, this time for Torch Song. In 1957, she appeared in a supporting role in Man of a Thousand Faces about the life of Lon Chaney, although she never worked with the real Chaney in silent films.

For her contribution to the motion picture industry, Rambeau has a star on the Hollywood Walk of Fame at 6336 Hollywood Blvd.

Read more about this topic:  Marjorie Rambeau

Famous quotes containing the word career:

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)