Work
Art exhibitions:
- Footstool Gallery, St John Smith Square, London
Books:
- Three Harlequin Plays (1961) ISBN 9999016263
- Saint George and the dragon at Christmas tide (anonymous) adapted by Marjorie Sigley in Swortzell, L. (eds) The twelve plays of Christmas (1999) ISBN 1-55783-402-4
Plays:
- Take A Fable (1977?) Writer
- A Review in Mime and Movement - Director (London Theatre Company/Russia and Poland)
- The Stoppers (1967) - Director (performed as part of the Brighton Festival at the Palace Pier theatre)
- Timesneeze (1970) Director
Film:
- Georgy Girl (1966) choreographer
- Never Never Land (1979) Screenwriter (also known as Second to the Right and Straight on Until Morning)
- The Flowering Eye (1979) Screenwriter
- The Jumble
Television:
- One Of A Kind - (1978) writer & associate director
- Five O'Clock Funfair (1965) presenter
- London Line (1968)
- Algy And Worthing
- Catch Us If You Can
- C.A.B. (1986–1989) Executive Producer
- Danger - Marmalade At Work! (1984) producer
- Educating Marmalade producer
- Wonderworld
- T-Bag (1985–1992) Executive producer
- What's in a Game
Read more about this topic: Marjorie Lynette Sigley
Famous quotes containing the word work:
“Whoever is not in the possession of leisure can hardly be said to possess independence. They talk of the dignity of work. Bosh. True work is the necessity of poor humanitys earthly condition. The dignity is in leisure. Besides, 99 hundredths of all the work done in the world is either foolish and unnecessary, or harmful and wicked.”
—Herman Melville (18191891)
“The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs.”
—Jacques Maritain (18821973)
“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
—Elie Wiesel (b. 1928)