Marjorie Lynette Sigley - Work

Work

Art exhibitions:

  • Footstool Gallery, St John Smith Square, London

Books:

  • Three Harlequin Plays (1961) ISBN 9999016263
  • Saint George and the dragon at Christmas tide (anonymous) adapted by Marjorie Sigley in Swortzell, L. (eds) The twelve plays of Christmas (1999) ISBN 1-55783-402-4

Plays:

  • Take A Fable (1977?) Writer
  • A Review in Mime and Movement - Director (London Theatre Company/Russia and Poland)
  • The Stoppers (1967) - Director (performed as part of the Brighton Festival at the Palace Pier theatre)
  • Timesneeze (1970) Director

Film:

  • Georgy Girl (1966) choreographer
  • Never Never Land (1979) Screenwriter (also known as Second to the Right and Straight on Until Morning)
  • The Flowering Eye (1979) Screenwriter
  • The Jumble

Television:

  • One Of A Kind - (1978) writer & associate director
  • Five O'Clock Funfair (1965) presenter
  • London Line (1968)
  • Algy And Worthing
  • Catch Us If You Can
  • C.A.B. (1986–1989) Executive Producer
  • Danger - Marmalade At Work! (1984) producer
  • Educating Marmalade producer
  • Wonderworld
  • T-Bag (1985–1992) Executive producer
  • What's in a Game

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Famous quotes containing the word work:

    “I am from time to time congratulating myself on my general want of success as a lecturer; apparent want of success, but is it not a real triumph? I do my work clean as I go along, and they will not be likely to want me anywhere again. So there is no danger of my repeating myself, and getting to a barrel of sermons, which you must upset, and begin again with.”
    —Henry David Thoreau (1817–1862)

    “... idleness is an evil. I don’t think man can maintain his balance or sanity in idleness. Human beings must work to create some coherence. You do it only through work and through love. And you can only count on work.”
    —Barbara Terwilliger (b. c. 1940)

    “How marvellous it all is! Built not by saints and angels, but the work of men’s hands; cemented with men’s honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human—for the most heedless and the most cynical must see the finger of the Divine.”
    —Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)