Work
Art exhibitions:
- Footstool Gallery, St John Smith Square, London
Books:
- Three Harlequin Plays (1961) ISBN 9999016263
- Saint George and the dragon at Christmas tide (anonymous) adapted by Marjorie Sigley in Swortzell, L. (eds) The twelve plays of Christmas (1999) ISBN 1-55783-402-4
Plays:
- Take A Fable (1977?) Writer
- A Review in Mime and Movement - Director (London Theatre Company/Russia and Poland)
- The Stoppers (1967) - Director (performed as part of the Brighton Festival at the Palace Pier theatre)
- Timesneeze (1970) Director
Film:
- Georgy Girl (1966) choreographer
- Never Never Land (1979) Screenwriter (also known as Second to the Right and Straight on Until Morning)
- The Flowering Eye (1979) Screenwriter
- The Jumble
Television:
- One Of A Kind - (1978) writer & associate director
- Five O'Clock Funfair (1965) presenter
- London Line (1968)
- Algy And Worthing
- Catch Us If You Can
- C.A.B. (1986–1989) Executive Producer
- Danger - Marmalade At Work! (1984) producer
- Educating Marmalade producer
- Wonderworld
- T-Bag (1985–1992) Executive producer
- What's in a Game
Read more about this topic: Marjorie Lynette Sigley
Famous quotes containing the word work:
“The relationship between mother and professional has not been a partnership in which both work together on behalf of the child, in which the expert helps the mother achieve her own goals for her child. Instead, professionals often behave as if they alone are advocates for the child; as if they are the guardians of the child’s needs; as if the mother left to her own devices will surely damage the child and only the professional can rescue him.”
—Elaine Heffner (20th century)
“To say that a work of art is good, but incomprehensible to the majority of men, is the same as saying of some kind of food that it is very good but that most people can’t eat it.”
—Leo Tolstoy (1828–1910)
“It is the work of a brave man surely, in whom there was no guile! He rounded this water with his hand, deepened and clarified it in his thought, and in his will bequeathed it to Concord. I see by its face that it is visited by the same reflection; and I can almost say, Walden, is it you?”
—Henry David Thoreau (1817–1862)