Mario Perniola - Aesthetics

Aesthetics

Perniola’s work also covers the history of aesthetics and aesthetic theory. In 1990 he published Enigmi. Il momento egizio nella società e nell'arte, (Enigmas. The Egyptian Moment in Society and Art, London-New York, Verso, 1995), in which he analyzes other forms of sensibility that take place between man and things. Perniola argues that our society is living through an “Egyptian moment”, marked by a process of reification. As products of high technology increasingly assume organic properties, humanity turns into a thing, in the sense that it deliberately sees itself as an object. The volume L’estetica del Novecento (Twentieth-Century Aesthetics 1997) provides an original account and critique to the main aesthetic theories that characterized the previous century. He traces six main trends which are the aesthetics of life, form, knowledge, action, feeling and culture. In Del sentire cattolico. La forma culturale di una religione universale (On Catholic Feeling. The Cultural Form of a Universal Religion 2001), Perniola emphasizes the cultural identity of Catholicism rather than its moralitstic and dogmatic one. He proposes “Catholicism without orthodoxy” and “a faith without dogma”, which enables Catholicism to be perceived as a universal sense of cultural feeling. The work Strategie del bello. Quarant’anni di estetica italiana (1968-2008) (Strategies of Beauty. Forty Years of Italian Aesthetics (1968-2008) 2009) analyzes the main aesthetic theories which portray the transformations taken place in Italy since the 1960s onwards. Perniola’s volume highlights the relationship between the historical, political, and anthropological traits rooted in Italian society and the critical discourse arisen around them. Furthermore he argues that knowledge and culture should continue to be granted a privileged position in our societies, and they should challenge the arrogance of the establishments, the insolence of the publishers, the vulgarity of mass media, and the plutocratic roguery.