Development
In January 2009, a rumor from Spanish Nintendo magazine Nintendo Acción mentioned a sequel to Mario & Sonic at the Olympic Games would be created for the 2010 Winter Olympics. Both IGN and Eurogamer received confirmation on the games' existence, with IGN stating the game will be announced within the following month. Dennis Kim, licensing and merchandising director for the event, stated in February that a Mario & Sonic title " being discussed and planned for Vancouver". Kim also stated "Vancouver 2010" and the IOC will share royalties from this game. In the same month, the sequel titled "Mario & Sonic at the Olympic Winter Games" was officially announced via a joint press release by Sega and Nintendo on February 12, 2009. So, The game is being developed by Sega Japan under the supervision of Shigeru Miyamoto. This title is the third video game collaboration between Nintendo and Sega. According to gaming site IGN, development began immediately after the initial Olympic game was released in November 2007.
An iPhone OS app version was released in January 2010 by Sega. Due to only containing Sonic characters, the game is simply titled Sonic at the Olympic Winter Games.
Read more about this topic: Mario & Sonic At The Olympic Winter Games
Famous quotes containing the word development:
“John B. Watson, the most influential child-rearing expert [of the 1920s], warned that doting mothers could retard the development of children,... Demonstrations of affection were therefore limited. “If you must, kiss them once on the forehead when they say goodnight. Shake hands with them in the morning.””
—Sylvia Ann Hewitt (20th century)
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for women’s broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (1826–1903)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (1845–1923)