Later Life
In 1795, Marcadet became involved in a conflict with the direction at the royal theaters (meaning borth the opera and the theatre) and joined the Stenborg theatre, were she made her farewell-performance in November before she left Sweden with her husband and moved to Paris in France, where she died. She is one of many examples of the French actors and singers, who made themselves a career in Sweden during the 18th century, when Swedish theatre and opera was more or less entirely French.
In the 19th century, the Swedish press pointed out the irony in the fact that three of the most popular singers, who were a part of the "first generation" of performers in the two national stages Royal Dramatic Theatre and Royal Swedish Opera, was in fact foreigners; the German Franziska Stading, the Polish Sophie Stebnowska (grandmother of Marie Taglioni), and the French Marie Louise Marcadet.
Read more about this topic: Marie Louise Marcadet
Famous quotes containing the word life:
“Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to mans yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!”
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“Why should men love the Church? Why should they love her laws?
She tells them of Life and Death, and of all that they would forget.”
—T.S. (Thomas Stearns)