Mari Evans - Life's Work

Life's Work

Mari Evans has written several poems, short fiction stories, children’s books, and plays. She is known for her many poems. One, called "When In Rome", is taught in many high schools and college English classes. The poem ends, "I'm tired of eatin' what they eats in Rome." The last line provides the poem with its famous title. It is a dialogue poem, between Mattie and her possible slave owner, offering her unfamiliar foods in the pantry. She is also well known for the line, "I have never been contained except I made the prison." Mari Evans was a part of the Black Arts Movement (BAM). The BAM poets spread the message of Black cultural, psychological, and economical liberation. In 1970, Evans wrote “I am a Black Woman”. The second stanza reads: “I am a black woman tall as a cypress strong beyond all definition still defying place and time and circumstance assailed impervious indestructible.” Evans spoke of the need to make Blackness both beautiful and powerful.

Other books of poems and poetry include:

  • Night Star 1973-1978 (1981)
  • Where is the Music (1968)
  • A Dark and Splendid Mass, Harlem River Press (1992)
  • I am a Black Woman (1970)

Children's books include:

  • Dear Corinne, Tell Somebody! Love, Annie: A book about secrets (1999)
  • Jim Flying High (1979)
  • J.D. (1973)
  • Singing Black: Alternative Nursery Rhymes for Children (1998)
  • Rap Stories (1974)

Plays include

  • Eyes, a musical based on Their Eyes Were Watching God (1979)
  • River of My Song (1977)
  • Portrait of a Man (1979)
  • Boochie (1979)

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Famous quotes containing the words life and/or work:

    Most of a modest woman’s life was spent, after all, in denying what, in one day at least of every year, was made obvious.
    Virginia Woolf (1882–1941)

    As long as the “woman’s work” that some men do is socially devalued, as long as it is defined as woman’s work, as long as it’s tacked onto a “regular” work day, men who share it are likely to develop the same jagged mouth and frazzled hair as the coffee-mug mom. The image of the new man is like the image of the supermom: it obscures the strain.
    Arlie Hochschild (20th century)