Culture
There are many museums located throughout the territory of the republic. The largest ones include the National Museum, the Museum of History, and the Museum of Fine Arts in Yoshkar-Ola; the Museum of Arts and History, the Ethnographic Open-Air Museum, and the Merchant Life Museum in Kozmodemyansk; and the Sheremetevo Castle Museum-reserve in Yurino. There are also museums dedicated to the poet Nikolay Mukhin and the composer Ivan Klyuchnikov-Palantay in Yoshkar-Ola and the house-museum of writer Sergei Chavayn in Chavaynur.
Five theaters are located in Yoshkar-Ola with performances in both the Russian and Mari languages, though it should be noted that the Mari National Theater, a major ethnic institution, was closed by the government. The International Helsinki Federation for Human Rights (IHF) and Moscow Helsinki Group (MHG) in their 2006 report "Russian Federation: The Human Rights Situation of the Mari Minority of the Republic of Mari El", reported "The closure of the Mari National Theater, which had been a key element of Mari cultural life ever since its foundation in 1919, was perceived as a direct attack on Mari culture."
Read more about this topic: Mari El Republic
Famous quotes containing the word culture:
“The white dominant culture seemed to think that once the Indians were off the reservations, they’d eventually become like everybody else. But they aren’t like everybody else. When the Indianness is drummed out of them, they are turned into hopeless drunks on skid row.”
—Elizabeth Morris (b. c. 1933)
“With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.”
—Henry David Thoreau (1817–1862)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)