Stage Productions
Date | Production | Author | Location |
---|---|---|---|
1942 | The Eve of St. Mark | Maxwell Anderson | University of Texas, Austin |
1943 | Sporting Pink | Theodore Apstein | University of Texas, Austin |
A Choice of Weapons | Theodore Apstein | ||
You Touched Me | Tennessee Williams | Pasadena Playhouse, California | |
1945 | The Glass Menagerie | Tennessee Williams | Playhouse, New York |
1946 | On Whitman Avenue | Maxine Wood | Broadway, New York |
Joan of Lorraine | Maxwell Anderson | Alvin Theatre, New York | |
1947 | Farther Off From Heaven/The Dark at the Top of the Stairs | William Inge | Theatre '47, Dallas, Texas |
Hedda Gabler | Henrik Ibsen | ||
How Now Hecate | Martyn Coleman | ||
Summer and Smoke | Tennessee Williams | Theatre '47, Dallas, Texas Music Box Theatre, New York |
|
Third Cousin | Vera Mathews | Theatre '47, Dallas, Texas | |
1948 | The Master Builder | Henrik Ibsen | Theatre '48, Dallas, Texas |
The Taming of the Shrew | William Shakespeare | ||
The Importance of Being Earnest | Oscar Wilde | ||
Summer and Smoke | Tennessee Williams | Broadway, New York | |
Last of My Solid Gold Watches This Property Is Condemned Portrait of a Madonna |
Tennessee Williams | Theatre '48, Dallas, Texas | |
Throng o' Scarlet | Vivian Connell | ||
Lemple's Old Man | Manning Gurain | ||
Leaf and Bough | Joseph Hayes | ||
Black John | Barton MacLane | ||
1949 | The Learned Ladies | Molière | Theatre '49, Dallas, Texas |
Twelfth Night | William Shakespeare | ||
The Sea Gull | Anton Chekhov | ||
She Stoops to Conquer | Oliver Goldsmith | ||
Here's to Us | Shirland Quin | ||
Sting in the Tail | Tom Purefoy | ||
The Coast of Illyria | Dorothy Parker and Ross Evans | ||
1950 | Heartbreak House | George Bernard Shaw | Theatre '50, Dallas, Texas |
Ghosts | Henrik Ibsen | ||
An Old Beat-Up Woman | Sari Scott | ||
My Granny Van | Loren Disney and George Sessions Perry | ||
Cock-a-Doodle Dandy | Seán O'Casey | ||
The Golden Porcupine | Muriel Roy Bolton | ||
Southern Exposure | Owen Crump | ||
A Play for Mary | William McCleery | ||
An Innocent Time | Edward Caufield | ||
1951 | Lady Windermere's Fan | Oscar Wilde | Theatre '51, Dallas, Texas |
The Merchant of Venice | William Shakespeare | ||
Candida | George Bernard Shaw | ||
A Willow Tree | A. B. Shiffrin | ||
One Bright Day | Siomund Miller | ||
Walls Rise Up | Duane, Frank and Richard Shannon | ||
A Gift for Cathy | Ronald Alexander | ||
1952 | A Midsummer Night's Dream | William Shakespeare | Theatre '52, Dallas, Texas |
Sainted Sisters | Alden Nash | ||
The Blind Spot | Edward Caulfield | ||
So in Love | Vern Matthews | ||
I Am Laughing | Edwin Justus Mayer | ||
1953 | Hamlet | William Shakespeare | Theatre '53, Dallas, Texas |
The Rivals | Richard Brinsley Sheridan | ||
Goodbye, Your Majesty | Vivian Connell | ||
The Rising Heifer | Robin Maugham | ||
The Last Island | Eugene Raskin | ||
Late Love | Casey | ||
Uncle Marston | John Briard Harding | ||
The Day's Mischief | Lesley Storm | ||
1954 | Volpone | Ben Jonson | Theatre '54, Dallas, Texas |
The Footpath Way | Burgess Drake | ||
The Guilty | Harry Granick | ||
Happy We'll Be | Samson Raphaelson | ||
Oracle Junction | Samson Raphaelson | ||
The Heel | Samson Raphaelson | ||
A Rainbow at Home | Milton Robertson | ||
Horatio | Wallach, David Baker, and Harnick | ||
The Purification | Tennessee Williams | ||
Apollo of Bellac | Jean Giraudoux | ||
The Brothers | John S. Rodell | ||
A Dash of Bitters | Reginald Denham and Conrad Sutton-Smith | ||
Sea-Change | William Case | ||
The Hemlock Cup | Edward Hunt | ||
1955 | As You Like It | William Shakespeare | Theatre '55, Dallas, Texas |
Inherit the Wind | Jerome Lawrence and Robert Edwin Lee | ||
Whisper to Me | William Goyen and Greer Johnson | ||
La Belle Lulu | Jacques Offenbach and Charles Previn | ||
The Girl from Boston | Joseph Hayes |
Read more about this topic: Margo Jones
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