Career
Born into a musical family, Ball began playing piano at age 5, and showed an early interest in New Orleans style piano playing, as exemplified by Fats Domino, Professor Longhair, and James Booker. She has named Irma Thomas, the New Orleans vocalist, as her chief vocal inspiration. Ball entered Louisiana State University in the late 1960s as an English major. In college, she played in a psychedelic rock and roll band, called Gum. In 1970, at age 21, she started a progressive country band called Freda and the Firedogs in Austin, Texas, and began her solo career in 1974.
Ball is known for her piano style, which shows elements of zydeco, swamp blues, Louisiana blues and boogie woogie. She began her recording career as a solo artist with Rounder Records in the 1980s and early 1990s. In 2001, she joined Chicago-based Alligator Records.
Her Rounder album, Sing It!, which also featured vocalists Irma Thomas and Tracy Nelson, released in January 1998 was nominated for both a Grammy Award and a Blues Music Award as "Best Contemporary Blues Album." Ball also received the 1998 Blues Music Award for "Contemporary Female Vocalist of the Year" and "Best Blues Instrumentalist-Keyboards." She was awarded “Contemporary Blues Album of the Year” for her albums Presumed Innocent (2002) and So Many Rivers (2004). The same year she also won “Contemporary Blues Artist of the Year-Female.” She won the "Best Blues Instrumentalist-Keyboards" again in 2005, 2006, 2007 and 2009. Her 2003 Alligator release, So Many Rivers, was nominated for a Grammy as were Live! Down The Road (2005) and Peace, Love & BBQ (2008). She was inducted into the Austin Music Hall of Fame in 1990.
Ball has continued to work with Irma Thomas. In 2006, the two contributed a duet ("Look Up") on the New Orleans Social Club release, Sing Me Back Home (Burgundy Records/Honey Darling Records). In 2007, the two contributed another duet ("I Can't Get New Orleans Off My Mind") to Goin' Home: A Tribute to Fats Domino (Vanguard Records).
Ball, who has established herself as an important player in the club scenes in both New Orleans, Louisiana and Austin continues to work at festivals and clubs throughout the United States, Canada, and Europe. The current band members are Ball (piano, vocals); Don Bennett (bass, vocals); Mike Schermer (guitar, vocals); Damien Llanes (drums, vocals); Thad Scott (saxophone).
Read more about this topic: Marcia Ball
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)