Marching Percussion - Cymbals

Cymbals

Cymbals are not played in the same manner as orchestral crash cymbals, as there is a change in the grip of the straps. The hand goes through the hoop and twists, causing the hand to be flat against the bell of the cymbal, although variations are sometimes used for effect. Each player carries two cymbals of identical size and crashes them together, in addition to producing other sound effects by striking or rubbing the cymbals together. Cymbal players often perform visuals – movements such as twirls and flips that are eye-pleasing and boost the general effect of the group. There is generally a 1-to-1 or 1-to-2 ratio of cymbal players to snares, as snare drummers sometimes play on the cymbals at some point during the performance, much in the manner that hi-hat cymbals are used on a drum set. The number of cymbal players can vary according to their use. Cymbal parts are often split in the same manner as bass drum parts – each cymbalist plays one component of a larger part. Some drum corps (or less often, marching bands) do not have marching cymbal players at all, instead choosing to march additional hornline or color guard members, or other percussion instruments. In indoor percussion ensembles, the trend seems to be towards keeping or expanding cymbal sections.

Among many differences between marching and orchestral cymbals, there are many types of crashes. Crash-chokes are played beginning with a normal crash, but pulled into the body at the shoulders or stomach so as to effectively stop the sound after attaining the desired crash. Slides are played using the right cymbal to drive into the left, where the outer edge hits 1/2 way between the bell and the edge of the left cymbal. After the right cymbal slides up on the left, it is brought back straight into the body. The cymbal is stopped by catching the air pocket inside of the cymbals. The cymbals maintain contact at all times. The desired sound is a "sizzle then choke" effect. As well as different types of crashes, cymbals can use many types of visuals, which are only limited to the imaginations of those wielding the cymbals.