Writer
Mansooreh also wrote many art reviews in various Iranian media. In her critiques she was unbiased, informative, and analytic. For example, in her article Why exhibitions have no viewers? (reviewing Guity Novin's exhibition Expression of Silence), published in Kayhan in November, 1971, she observed that Iranian intelligentsia ignored important exhibitions such as the recently held exhibition of Henry Moore in the National Museum of Iran. She wrote:
A friend who was just back from Europe was asking me "what’s the matter? Is it possible to see the original works by Henry Moore? This is the event of the century. We have to plan in advance for visiting such an exhibition, we have to be checked by electronic cameras, and security gourds that protect such treasures, etc." and yet when I asked an icon of the Iranian modern poetry in the theatre of museum that "have you visited Henry Moore’s sculptures?" He replied "those torsos? ..yeh, but I thought they are your works?"
Then she moved to her critique of Novin’s work:"Expression of Silence, was a poetic designation for Guity’s exhibition in the Negar Galley." She concluded the article with her verdict:
There was a consistency in her selection of subjects -- a testament to perspicacious and enlightened character of the artist. The choice of colours, selection of gradation of hue, which explicitly used more-or-less the same tonality in all the works, revealed the story of artist’s unfaltering and inquisitive mind.
Read more about this topic: Mansooreh Hosseini
Famous quotes containing the word writer:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)
“In times like ours, where the growing complexity of life leaves us barely the time to read the newspapers, where the map of Europe has endured profound rearrangements and is perhaps on the brink of enduring yet others, where so many threatening and new problems appear everywhere, you will admit it may be demanded of a writer that he be more than a fine wit who makes us forget in idle and byzantine discussions on the merits of pure form ...”
—Marcel Proust (1871–1922)
“But this I know; the writer who possesses the creative gift owns something of which he is not always master—something that at times strangely wills and works for itself.... If the result be attractive, the World will praise you, who little deserve praise; if it be repulsive, the same World will blame you, who almost as little deserve blame.”
—Charlotte Brontë (1816–1855)