Architecture
The rapid growth and accompanying pollution in Victorian cities caused great problems for architects including denial of light, overcrowding, awkward sites, noise, accessibility and visibility of buildings, and air pollution. Provision for "the sufficiency of window light supplied throughout the building" was addressed by the use of architectural devices: suspended first floor rooms, made possible by the use of iron-framed construction, skylights, extra windows and dormers, "borrowed lights" for interior spaces and glazed white bricks in conjunction with mosaic marble paving in areas where the light was "less strong". Clear glass was used in important rooms, with light-coloured tints for coloured glazing, as "the sky of Manchester does not favour the employment of deeply stained glass."
Despite its medieval styling, the building was designed to support the practical technologies of the 19th century. It had gas lighting, and a warm-air heating system, which provided fresh air drawn through ornamental stone air inlets placed below the windows and admitted behind the hot water pipes and 'coils' of rooms. Warmed, fresh air was fed into the stairwells and through hollow shafts within the spiral staircases to ventilate the corridors. The pipes that supplied gas for lighting were ingeniously concealed underneath the banister rails of the spiral staircases. Waterhouse designed the building structure to be fireproof, using a combination of concrete and wrought-iron beams.
Read more about this topic: Manchester Town Hall
Famous quotes containing the word architecture:
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)
“The principle of the Gothic architecture is infinity made imaginable.”
—Samuel Taylor Coleridge (1772–1834)
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)