Mana Series - Music

Music

The Mana series has had several different composers. Final Fantasy Adventure was composed by Kenji Ito; it was his second original score. Ito's music is mainly inspired by images from the game rather than outside influences. The scores for Secret of Mana and Seiken Densetsu 3 were both composed by Hiroki Kikuta. Despite difficulties in dealing with the hardware limitations, Kikuta tried to express, in the music of Secret of Mana, two "contrasting styles", namely himself and the game. This was to create an original score which would be neither pop music nor standard game music. Kikuta worked on the music for the two games mostly by himself, spending nearly 24 hours a day in his office, alternating between composing and editing to create an immersive three-dimensional sound. Kikuta considers the score for Secret of Mana his favorite creation. His compositions for Secret of Mana and Seiken Densetsu 3 were partly inspired by natural landscapes. In 1995, Kikuta released an experimental album of arranged music from the two installments, titled Secret of Mana +, which features one 50-minute long track.

Legend of Mana's score was composed by Yoko Shimomura, and of all her compositions, she considers it the one that best expresses herself. Kenji Ito returned to the series with Sword of Mana. He also composed roughly one third of the Children of Mana soundtrack, while the rest was composed by Masaharu Iwata and Takayuki Aihara. Ito was the main composer for Dawn of Mana, assisted by Tsuyoshi Sekito, Masayoshi Soken, and Junya Nakano, as well as main theme composer Ryuichi Sakamoto. In North America, purchasers of Dawn of Mana from participating retailers were offered a sampler disc, titled Breath of Mana, which features a selection of tracks from the game. Shimomura returned to the series with Heroes of Mana.

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Famous quotes containing the word music:

    To know whether you are enjoying a piece of music or not you must see whether you find yourself looking at the advertisements of Pears’ soap at the end of the libretto.
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    The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.
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    As if, as if, as if the disparate halves
    Of things were waiting in a betrothal known
    To none, awaiting espousal to the sound
    Of right joining, a music of ideas, the burning
    And breeding and bearing birth of harmony,
    The final relation, the marriage of the rest.
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