Man or Astro-man? and Mystery Science Theater 3000
They covered the Mystery Science Theater 3000 "love theme". It was released on Amazing Thrills! in 3-Dimension and later Destroy All Astromen! and was also performed live. MST3K creator Joel Hodgson joined them on stage to sing the theme at a show in 1996, and Joel's character on MST3K later claimed to have toured with Man or Astro-man? doing pyrotechnics for the band.
Man or Astro-man? recordings regularly feature audio samples taken from films riffed on MST3K (ex. The Leech Woman, It Conquered the World and Santa Claus) and the albums often make allusions to common themes and running jokes (ex. album credits for John Agar in Is It ... Man or Astroman? and Peter Graves and Richard Basehart in Destroy All Astromen!).
Man or Astro-man? guitarist Hayden Thais (Dexter X) and drummer Brian Teasley (Birdstuff) were also members of the "all-robot band" Servotron, which was named for MST3K robot character Tom Servo's namesake. A handbill for at least one concert have featured an image of the robot puppet.
Read more about this topic: Man Or Astro-man? Vs. Europa
Famous quotes containing the words man, mystery, science and/or theater:
“The man who does ill must suffer ill.”
—Aeschylus (525–456 B.C.)
“What if we fail to stop the erosion of cities by automobiles?... In that case America will hardly need to ponder a mystery that has troubled men for millennia: What is the purpose of life? For us, the answer will be clear, established and for all practical purposes indisputable: The purpose of life is to produce and consume automobiles.”
—Jane Jacobs (b. 1916)
“We know only a single science, the science of history. One can look at history from two sides and divide it into the history of nature and the history of men. However, the two sides are not to be divided off; as long as men exist the history of nature and the history of men are mutually conditioned.”
—Karl Marx (1818–1883)
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)