Malolos Cathedral - The Image of The Immaculate Conception at The Altar Retablo

The Image of The Immaculate Conception At The Altar Retablo

According to reliable information, the statue of the Immaculate Concepcion was made before the Second World War. The opus is attributed to Donding Ople, a gifted artist who was orphaned at a very tender age. The original work is kept in an undisclosed place but the statue at the high enclosure behind the main altar is the perfect replication of the original. Many of the devotees flock to the image of the Immaculate Concepcion.

Read more about this topic:  Malolos Cathedral

Famous quotes containing the words image, immaculate, conception and/or altar:

    The “female culture” has shifted more rapidly than the “male culture”; the image of the go-get ‘em woman has yet to be fully matched by the image of the let’s take-care-of-the-kids- together man. More important, over the last thirty years, men’s underlying feelings about taking responsibility at home have changed much less than women’s feelings have changed about forging some kind of identity at work.
    Arlie Hochschild (20th century)

    The poem refreshes life so that we share,
    For a moment, the first idea . . . It satisfies
    Belief in an immaculate beginning
    And sends us, winged by an unconscious will,
    To an immaculate end. We move between these points:
    From that ever-early candor to its late plural....
    Wallace Stevens (1879–1955)

    I wish glib and indiscriminate critics of industrialists had some conception of the problems that have to be met by factory management.... General condemnation of employers is a favorite indoor sport of the uninformed intelligentsia who assume the role of lance- bearers for labor.
    Mary Barnett Gilson (1877–?)

    The drama’s altar isn’t on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it’s roof, now, the commonplace crow caws candidly.
    Sean O’Casey (1884–1964)