Reception
When first broadcast on June 14, 1990, the episode attracted a Nielsen rating of 13.6/24, meaning that 13.6% of American households watched the episode, and that 24% of all televisions in use at the time were tuned into it. Several reviews at the time compared Seinfeld to It's Garry Shandling's Show, in which Garry Shandling, like Seinfeld, plays a fictionalized version of himself.
Jonathan Boudreaux writes that of the four season one episodes produced after the pilot, "'Male Unbonding' is the strongest. This episode centers on the classic Seinfeld theme of the gang complaining about an outsider's self-centeredness while conveniently ignoring their own selfish, antisocial behavior. The characters slowly begin to fall into place as George takes great strides toward being the neurotic moron we love, and Kramer becomes more spastic and idiosyncratic."
Colin Jacobson for DVD Movie Guide was also positive, saying, "'Unbonding' marks a demonstrable improvement over the pilot. No one will mistake the episode for one of the series' greats, but at least the characters start to resemble the ones we'd come to know later. In addition, it tosses out just enough humor to make it enjoyable." David Sims of A.V. Club gave the episode a B+, saying, "It's a pretty funny episode – my main criticism is just that at this point, Kramer isn’t integrated at all into the stories, rather he just comes by and dispenses weird dialog for a couple minutes.".
Read more about this topic: Male Unbonding
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)