Malaysian contemporary music (or "art music", "notated music") is an artistic phenomenon within Malaysia that has its roots in the 1980s with pioneer composers like Valerie Ross. However, little information about that period exists in written sources. The genre gained visibility and momentum only in the new millennium due to the internet phenomenon, and in 2002 in particular, when the Malaysian Philharmonic Orchestra (MPO) programmed several works by Malaysian composers, namely Chong Kee Yong's Echoed Dream (2002), Sunetra Fernando's 'Wayang' (2002) and Tazul Izan Tajuddin's Sebuah Tenunan III (2003). They represent the first local commissions by a professional symphony orchestra in the country. Interest in orchestral music by Malaysian composers grew and when the orchestra held its first Forum For Malaysian Composers in 2003 the event was a triumph for the local music scene.
Read more about Malaysian Contemporary Music: Background, Musical Language, The New Generation, Selected Works - Malaysian Premieres, Selected Works - International Premieres, Some Resources On Malaysian Composers
Famous quotes containing the words contemporary and/or music:
“Why is it that many contemporary male thinkers, especially men of color, repudiate the imperialist legacy of Columbus but affirm dimensions of that legacy by their refusal to repudiate patriarchy?”
—bell hooks (b. c. 1955)
“Id rather you shot at tin cans in the back yard, but I know youll go after birds. Shoot all the bluejays you want, if you can hit em, but remember its a sin to kill a mockingbird.... Mockingbirds dont do one thing but make music for us to enjoy. They dont eat up peoples gardens, dont nest in corncribs, they dont do one thing but sing their hearts out for us. Thats why its a sin to kill a mockingbird.”
—Harper Lee (b. 1926)