Popularity of The Maja
Although majos of both sexes were frequent subjects of painter Francisco Goya, two of his majas, La maja vestida and La maja desnuda, would gain international renown. The outfit of the maja also would influence the costume of the eponymous protagonist of Georges Bizet's French opera Carmen in the mid 19th century.
In the 20th century, with the popularization of Spain as a tourist destination, the manola or maja, often holding a folding fan, increasingly gained recognition as the image of a stereotypical traditional Spanish woman. Thus the maja became one of the popular and informal symbols of Spain, along with the bullfighter, who took the place of the majo. Some of the 20th century depictions of the maja became somewhat assimilated to the flamenco dancer (la bailaora). Nowadays, the increasing popularity of the maja has ended up eclipsing that of the majo.
The image of a maja was the trademark of the Jabon Maja Myrurgia soap, one of the classical souvenirs from Spain. The brand's portrait of the maja in the soap boxes and wrappings was based on the person of Carmen Tórtola Valencia (1882–1955), a famous Spanish dancer of the early 20th century.
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