Extreme Shapes
The Blaschke–Santaló inequality states that the shapes with maximum Mahler volume are the spheres and ellipsoids. The three-dimensional case of this result was proven by Wilhelm Blaschke; the full result was proven much later by Luis Santaló (1949) using a technique known as Steiner symmetrization by which any centrally symmetric convex body can be replaced with a more sphere-like body without decreasing its Mahler volume.
The shapes with the minimum known Mahler volume are hypercubes, cross polytopes, and more generally the Hanner polytopes which include these two types of shapes, as well as their affine transformations. The Mahler conjecture states that the Mahler volume of these shapes is the smallest of any n-dimensional symmetric convex body; it remains unsolved. As Terry Tao writes:
| “ | The main reason why this conjecture is so difficult is that unlike the upper bound, in which there is essentially only one extremiser up to affine transformations (namely the ball), there are many distinct extremisers for the lower bound - not only the cube and the octahedron, but also products of cubes and octahedra, polar bodies of products of cubes and octahedra, products of polar bodies of… well, you get the idea. It is really difficult to conceive of any sort of flow or optimisation procedure which would converge to exactly these bodies and no others; a radically different type of argument might be needed. | ” |
Bourgain & Milman (1987) prove that the Mahler volume is bounded below by cn times the volume of a sphere for some absolute constant c > 0, matching the scaling behavior of the hypercube volume but with a smaller constant. A result of this type is known as a reverse Santaló inequality.
Read more about this topic: Mahler Volume
Famous quotes containing the words extreme and/or shapes:
“The traveler to the United States will do well ... to prepare himself for the class-consciousness of the natives. This differs from the already familiar English version in being more extreme and based more firmly on the conviction that the class to which the speaker belongs is inherently superior to all others.”
—John Kenneth Galbraith (b. 1908)
“The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem.... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.”
—Marcel Duchamp (18871968)