Magical Girlfriends in Western Media
Tiffany White of Pop Matters, in her review of the Mannequin movies, classifies magical girlfriend movies with this template:
• Main protagonist is a loser who has no luck with girls or has a real girlfriend who doesn’t understand him.
• Main guy finds magical girlfriend (usually an angel, mermaid, or science experiment) and they fall in love.
• An antagonist lurks about, and its sole purpose is exposing the magical girlfriend.
• In the end, the protagonist and the magical girlfriend escape persecution, gain public acceptance, and spend the rest of their lives happy ever after.
A.E. Sparrow of IGN, in reviewing Mamotte Shugogetten, also relates magical girlfriends shows to their western counterparts: "She's completely devoted to protecting her new "master" from any misfortune, utterly oblivious to the ways of the modern world, and (in cute girl manga terms) a total knockout. If you're not completely immersed in the world of manga yet, think "I Dream of Jeannie". If you are, then think "Oh! My Goddess!". Either one works if you're looking for a comparison."
Examples of magical girlfriend in Western media include: Samantha from Bewitched, Jeannie from I Dream of Jeannie, Lisa from Weird Science, Jenny/XJ9 from My Life as a Teenage Robot and Madison from Splash.
Read more about this topic: Magical Girlfriend
Famous quotes containing the words magical, girlfriends, western and/or media:
“What art can paint or gild any object in afterlife with the glow which Nature gives to the first baubles of childhood. St. Peter’s cannot have the magical power over us that the red and gold covers of our first picture-book possessed. How the imagination cleaves to the warm glories of that tinsel even now! What entertainments make every day bright and short for the fine freshman!”
—Ralph Waldo Emerson (1803–1882)
“Her girlfriends asked that innocent,
“What? What appeals to you?”
when her pregnancy cravings appeared.
Her gaze merely fell
on her husband.”
—Hla Stavhana (c. 50 A.D.)
“In Western Europe people perish from the congestion and stifling closeness, but with us it is from the spaciousness.... The expanses are so great that the little man hasn’t the resources to orient himself.... This is what I think about Russian suicides.”
—Anton Pavlovich Chekhov (1860–1904)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)