Magical Girl

Magical Girl

Magical girls (魔法少女, mahō shōjo?, also known as mahou shoujo or majokko) traditionally belong to a sub-genre of Japanese fantasy anime and manga, but it has gained traction in non-Japanese formats, such as animated television series, graphic novels and webcomics. Magical girl stories feature young girl heroes with superhuman abilities, forced to fight evil and to protect the Earth. They often possess a secret identity, although the name can just refer to young girls who follow a plotline involving magic and a transformation (such as Full Moon o Sagashite and Sailor Moon). Ojamajo Doremi features magical girls as protagonists, but its plot differs from the standard as the girls use magic for friendship, behavior and achieving goals, rather than for attacking antagonists. The Japanese language identifies magical girls as majokko (魔女っ子?, literally "witch girl"), though this term does not generally apply to modern magical-girl anime. Sally, the Witch (1966) counts as the first magical girl anime.

Magical boys occur much more rarely, but one can readily identify them: they operate along similar lines (as with D.N.Angel, Mei no Naisho, and Negima!). Magical girls generally differ from catgirls and from magical girlfriends. Sometimes the catgirl and magical girl character types cross over; the magical girl may have cat-ears and -tail as part of her costume, or a catgirl could have some form of magical powers. Examples of these include Tokyo Mew Mew and Hyper Police. A magical girl and a magical girlfriend typically differ in that the magical girlfriend is not the protagonist. Over the years, the genre has given significant influence to numerous non-Japanese media, American magical girl-inspired cartoons and other "anime-inspired" series (such as W.I.T.C.H. and Guardians of the Magic).

Read more about Magical Girl:  General Examples, Genre History, Common Themes and Features, Magical Girl in Media

Famous quotes containing the words magical and/or girl:

    What art can paint or gild any object in afterlife with the glow which Nature gives to the first baubles of childhood. St. Peter’s cannot have the magical power over us that the red and gold covers of our first picture-book possessed. How the imagination cleaves to the warm glories of that tinsel even now! What entertainments make every day bright and short for the fine freshman!
    Ralph Waldo Emerson (1803–1882)

    Roosevelt could always keep ahead with his work, but I cannot do it, and I know it is a grievous fault, but it is too late to remedy it. The country must take me as it found me. Wasn’t it your mother who had a servant girl who said it was no use for her to try to hurry, that she was a “Sunday chil” and no “Sunday chil” could hurry? I don’t think I am a Sunday child, but I ought to have been; then I would have had an excuse for always being late.
    William Howard Taft (1857–1930)